NEWS
- Traces, solo exhibition galerie Burster, Karlsruhe
- How to fix a broken line
- METRO, SOLO EXHIBITION
- Art Berlin Contemporary 2019
- Enter Art fair Copenhagen
- Wonders exhibition
- Duo Exhibition DAG & Bram Braam INFLUENCE
- influence, laden fuer nichts gallery, Spinnerei
- CONTEMPORARY CONTEMPLATIONS
- Solo Exhibition: Minimal Tendency
- Artissima Torino 26-10-2017
- Bender Schwinn Project Zwei
- Frank Taal at Amsterdam Art Fair
- Duo presentation ART ROTTERDAM
- BLACK WHITE at Gallery Burster
- HOMECOMING at Project Space
- The End, Let’s Start Again
- Welcome To The Real World
- Working grant for proven talent
- POWER – PLAY Exhibition
- Art16 London
- Solo presentation at Art16
- INTERVENTIONALE Impression
- INTERVENTIONALE at IG Metall Austellungsraum
- Modern Mutants at Burster
- Rotterdam Contemporary
POWER – PLAY Exhibition

POWER – PLAY
mit
Bettina Allamoda
Bram Braam
Kim Collmer
Jennifer Hope Davy
Thomas Draschan
Giuseppe Lana
Catherine Lorent
Stephan Mörsch
Thomas Richter
Alona Rodeh
Marc Soisson
Viron Erol Vert
spatial intervention: radical-adults-productions
zusammengestellt von: Johannes Buss
Eröffnung: 27.5. 2016 – 19 Uhr
musikalische Unterhaltung: DJ U-KW
Laufzeit: 28.5. – 13.6. 2016
geöffnet Samstags von 15 – 17 Uhr und nach Rücksprache:
SCHAU FENSTER
Raum für Kunst
Lobeckstr. 30-35 – 10969 Berlin
U8/M29 Moritzplatz
Political power is a highly desirable “commodity” in most societies. We are, as we always have been, and always will be, shaped by political power and its desirability.
The visual appearance of power, and its apparatuses (whether public or private) is of course related, directly or indirectly (depending on strategy), to its convictions and its ideologies. Such appearances have representative functions.
This we know––sometimes––as we perceive consciously and subconsciously. This we experience on a daily basis, consciously or subconsciously. With practical and political motivations in mind, the everyday is “designed,” and thus, the everyday is decided upon––how it does and does not appear (from a particular bend in the road to the tone of a judges’s cape, from the architectural mapping of a public school to the font of a brochure).
The politics of representation is a subject matter that never loses its power. This project plays within this prismatic field through reflective artistic and design ideas. And within that, reflecting upon their own set of power structures, the exhibition explores the politics within or between art and design.
(Johannes Buss & Jennifer Hope Davy)